Scotland/Québec cultural relations celebrations

On 8 March 2012, International Women’s Day, Stellar Quines and the Québec Government in the UK hosted a pre show reception and post show drinks around the performance of ANA that evening at the Traverse Theatre in Edinburgh.

Thanks to the Québec Government in the UK for the pre show reception and thanks the British Council in Québec for post show drinks.

Stellar Quines Scottish/Quebec cultural relations celebration

From left to the right: Linda Crooks, Executive Producer Traverse Theatre; Clare Duffy co-writer ANA, Muriel Romanes, Artistic Director Stellar Quines; Pierre Boulanger, Agent General Québec Government Office UK; Fiona Hyslop, MSP Cabinet Secretary for Culture and External Affairs; Maude Laflamme, Québec Government Office UK; Orla O’Loughlin, Artistic Director Traverse Theatre and Graham Sheffield, Director Arts British Council.

Photograph: Marc Marnie

Muriel’s Montreal Diary – entry three

Muriel Romanes is the Artistic Director of Stellar Quines Theatre Company. Muriel has been developing Ana for over five years and is currently in Montreal for the rehearsals and opening of the show.

We have come to the end of rehearsals and tomorrow we move into the theatre to have the first work through with the set and without any tech.

Part of the cast in the rehearsal room, EspaceGo Montreal

Round the table in Rehearsals for ANA

This will give the actors a chance to get used to the space. On Wednesday they will do the same and on Thursday the actors will be in costume parade and in the evening a run through and notes. Friday there will be a cue to cue technical. Serge gives really wonderful notes and encourages everyone to work in an ensemble way.

Last week EspaceGo gave a lunch for us all and we had lashings of smoked salmon and cream cheese and all washed down with rosé wine. In the evening Alain invited the entire Scottish contingent to his house for dinner which was delightful. Although we had a death defying journey there in Clare Schapiro’s husband’s Land Rover which was able to transport everyone to the other side of the Mount Royal in one journey.

Clare Schapiro and Muriel Romanes

Our two Artistic Directors, Clare (left) and Muriel (right)

I have a meeting with the Quebec writer Jennifer Tremblay and her translator Shelley Tepperman at the beginning of next week to talk about her play The List, which will be presented through Stellar Quines’ Rehearsal Room on Thursday 26 January 2012 at the Traverse theatre. I am also having a meeting with Martin Bowman this weekend to talk about A Live Bird in the Mouth, Stellar Quines’ next production.

This week Megan and Frances took a bus trip into the Laurentian Mountains and were dropped in the middle of nowhere, luckily they found a diner which all sounds a bit like an old movie scenario maybe Bus Stop?! But they had a crazy but good time. And Philip Pinsky went to Quebec City for the weekend to visit friends, while I walked the streets of Montreal looking for a knitting shop as diversion therapy.

Muriel’s Montreal Diary – entry one

Muriel Romanes is the Artistic Director of Stellar Quines Theatre Company. Muriel has been developing Ana for over five years and is currently in Montreal for the rehearsals and opening of the show.

I travelled from Edinburgh to Montreal two weeks ago to be here for the rehearsals and opening of ANA.

We have had wonderfully sunny cold autumn days with the trees luminous yellow and carmine with the changing season, the city is looking really beautiful.

Autumnal tree in Montreal

A glimpse of Montreal's striking autumn colours

I have a very strong sense that there is a synergy between Scotland and Quebec. As I re-walk the streets I sense similarities but maybe I am dreaming it up and a left over memory from 21 years ago with the Scots translation of Michel Tremblay’s texts is ringing in my ears.

The Scottish team have settled into their apartments and are beginning to get to know this amazing city. We attended a production of Il Campiello directed by Serge Denoncourt and there are invites to a Halloween party and other theatre visits. The business of learning lines goes on at a pace and last week the play was blocked around 6 huge towers which form the set.

Part of the set for Ana

The beginnings of ANA's set

Some of the Canadian actors are working on other projects at the same time and are not always available for rehearsals – this is a very different way of working which enables actors to earn a better living by being able to work in TV, film and other more lucrative jobs at the same time. Certainly the productions here have much longer rehearsal periods but also periods of gestation between blocks of rehearsal.

I saw the first run through of the second half of ANA last night and feel very heartened by what I saw. This piece is a true hybrid and it is very exciting to watch the text unfolding in French, English, Spanish and Italian with all the different richness that these vernaculars bring. I am always surprised by the way in which the sounds in language often convey as much meaning as the text itself – this is a trifle of delights.

Stellar Quines has had a strong relationship with Quebec theatre over the past few years. And we always looking at other female playwrights here in Canada, as well as promoting the work of Scottish female playwrights in Quebec. We wish to continue our relationships in Quebec and Canada and build new alliances in the future to enable more women’s voices from Canada and Scotland to be heard internationally. The experiences of this production will help to further develop a better understanding of the diversity of world theatre and the development of the creative skills of all our artists.

Clare Schapiro and I are trying to learn the art of subtitling, which is enormously complex, not only do we have to put the English into French and visa versa, we have to edit the text to make it concise and take the audience through a journey that enables them to understand without being fixed on reading subtitles.

Clare Duffy writes about Montreal

Time: 13.10

It’s Tuesday. I’ve been walking for over two hours. My feet hurt. The memory of the ice cubes of the ice tea I bought in Place des Arts so that I could have the key to their toilet…that ice, is still ringing in the top right hand side of my brain. Opposite me there is a loud humming air conditioning system called Thermo King, 382005. I’m on the bench by the bus stop, just north of St. Catherine, on St Laurent street.

I didn’t expect to find myself here. The noise of the truck’s air conditioning has just gone out, and so I can hear behind me, fading away the engine of a 55 bus and the retro beats of a car, with the window down. I imagine it’s a car without air conditioning. I imagine therefore that it’s a car that belongs to a young man. I imagine that there is another young man sitting next to him. They both have their arms resting on the open windows, their heads are nodding to the beats and their eyes are following all the men and women crossing the road, or walking down the street. They don’t think about anything much when they look at all the men and women walking down the street. It’s too hot and when the lights change, the driver puts his foot down and the force of the car moving forward in the humid air causes that much needed breeze.

The bin on the corner of St Catherine and St Laurent says “Quand je suis vide, je suis triste.” I know what it means. On this block, on this side of the road there are two contact dancing shops. Between them there is an army surplus shop. Knives and night vision, FBI t-shirt and khaki clothes. Then there is a Chinese costume shop, store, magazin. It also has army surplus in the window, next door to furry knickers and first generation, Native American Indian feathers.

The forecourt opposite me, on your right as you come out of the underground, metro, subway has four trucks up on rusty metal supports. The air conditioning has just come on again. There are two large helium balloons secured just beyond the long white trucks. Un Rendezvous loto-quebec, they say. And there’s a green demonically smug hornet nosed, red pointy eared cartoon figure, (male) flying across them. If I win the lotto will I look like that? The beggar just west of this corner, on St Catherine Street has a sign that said ugly, broke, hungry (maybe not hungry, but something like that). I couldn’t look at his face, because I knew he’d know I was looking to see if he was ugly. A very brief peek, just the briefest of flicks of my eyes, not even enough time to focus, said he could have been First Nation and he could have been good looking. I think he was young. Youngish, like maybe thirty. And not too knocked about either. Not drunk, or high or thin and able to spell.

In London, beggars’ signs are never spelt correctly, right, bien. In Edinburgh beggars sit on the pavement with a box or a hat in front of them. In Glasgow there’s a woman with long dark hair and a soft long oval face, who I imagine comes from Turkey or maybe Macedonia. She wears a headscarf. She works hard. She’s there everyday. It’s an interesting tactic; to call yourself ugly, to get money. If I’d been braver, maybe I would have looked at him properly and then I would have been more likely to give money. If he really was as beautiful as I now imagine, I might have been moved to give money to the good looking broke guy, who’s self esteem is so touchingly damaged, but who I can see is so much more than he believes himself to be.

There’s a metro St. Laurent sign on my left. On my right is a guy, slight body facing south towards the water. Towards St Catherine Street. A woman in a loose floral print dress said just now, “Salut Pa Pa” to him. Earlier a guy stopped to have a word. Perhaps this is his bench. I might be spoiling his day. Sitting on his bench.

Water, is now pouring out of the back of the noisy truck. It’s spilling out of a long black rubber tube, the end of which has white paint on it. There’s a similar tube on the other side that’s more oozing water. It splashes on the black stones and tarmac ground. It runs underneath the white and blue plastic woven cover. It runs to where my feet are. It’s spreading right now down St. Laurent. Moving like ink on blotting paper down the bone white concrete. A Chinese young mum walks past with her two little girls holding on to her hands, still unsteady on their feet. She and the eldest have the same pink sandals. There is a line in the road a metal line and the date 1948. Astral Media own the St. Laurent Metro sign. It is CV50B. On this side it is advertising Casino Montréal, par pur plasir. Randomly, I’m reminded of the pur maple syrop I’ve been looking at in the various different supermarkets I’ve visited.

Time: 13.38

How long should I stay?

Pur Mapple syrop is delicieux, delicious, yummy.

I’ve visited two brocantes, bric a braque, junk, antique shops today. Trying to find a portrait of Montreal in the montage of glamorous everyday and sordid objects. A teapot made as the face of a Native American, scowling. He has a wide thin mouth and deeply furrowed brow. The feathers in his hair are where you lift off the lid. Next to him a picture of Marilyn Monroe’s face when she was very young. Not so much make up. 19 perhaps? There are 15 electric irons all facing the same way. A fantasia of flat triangular metal irons marching towards me. A photograph of a real woman, naked to the waist. She isn’t beautiful or striking. She has a heavy, masculine jaw line, but her smile is warm, her eyes look directly and comfortably into the camera. It looks like the kind of picture you might take of someone you love. There’s no lighting, the picture is outside. She is slightly over weight and probably in her 40s. A woman in the shop responds in English to a question asked in French. “I’m very interested in those”. She points to a 1950s wall sculpture of dancing girls. There were also a dozen bed pans of various shapes an sizes all dating back no more than ten years.

Excusez-moi, ou est la metro s’il vous plait?

Je n’est sais pas Madame. Je suis étranger.

Merci

Merci

A man on a bike is collecting cans in a large clear plastic bag. He has a dirty back and short dark hair. Two passers by give him dirty looks. They don’t move their heads but their eyes follow him, watch what he is doing. Furrow their brows.

Seagulls. Only two circle much higher than they would in Edinburgh.

There’s an American flag flying at Goodyear tyres, pneus, wheels. From here I can see four bikes resting against a wall, behind the wire enclosure of the forecourt.

The woman, who asked me where the metro is, just walked back past with her five teenage sons, at least I assume.

Hydro Quebec. A white vehicle with a pneumatic ladder and a man sized bucket at the end. I used to love fireman ladders like that when I was little. I wonder why?

Time: 14.41

Empty shop

Time: 14.37

Chinese restaurant

Time: 14.31

à louer

Shillers – a dream in the form of a Chinese run costume store. At the front circular woven decorations, with feathers all around. The man behind the counter didn’t know what they were. Then bikinis and wigs. Then Chinese serving dishes. Delicate pouring jugs and wide china spoons. Then flick knives under glass and police uniforms, army surplus. Dreams are the opposite of censorship.

Kingdom Gentleman’s Club. Contact dancing. A naked lion I think above the door. As I stand outside and man in a suit, carrying a brief case takes a key and lets himself in. Later that night there is a small crowd of smokers outside. They’re in humour, calm and relaxed. Telling jokes.

Suplus international.
1405 Loft Club Terrace.
Restaurant; La Belle Province.